Someday I’m gonna fly
This cold and broken heart of mine
Will one day wave goodbye
Goodbye to this cruel wicked world
And all the tears I’ve cried
Snow angel, snow angel
I’ll meet you in the sky
The National is yet another great band to come out of Cincinnati (also home to Over the Rhine). Their album Boxer was named album of the year by Paste magazine and it is fantastic. This is them performing the song Fake Empire on the Late Show with David Letterman.
I read recently a brief review of the classic Frank Capra film It’s a Wonderful Life in World Magazine. The reviewer described the film as having presented a Christian worldview. Plugged In, which is published by James Dobson's organization Focus on the Family, said that "after more than 50 years, families can still explore its rich themes and valuable life lessons together." In a 1996 video release by Republic Entertainment Inc. it was labeled under the heading “Family Collection.” In his film Hollywood vs. Religion, conservative movie critic Michael Medved uses it as an example to defend his thesis that the Hollywood establishment has transitioned from being pro-religion in the 1930s and 40s to being anti-religion today. He claims that the inclusion of angels and God makes the film friendly to Judeo- Christian values.
I don't understand why these individuals and organizations are so quick to claim this film as being consistent with their belief systems. The basic plot line is that although things have been tough lately for George Bailey, he is at heart a good man. All he needs to do to make things better for him and the world around him is to search within himself. The film ends with him making this realization, and all seems to be well within the world of Bedford Falls.
I find it interesting that this has become known as a Christmas film. To begin with, very little of the film takes place during Christmas. More than that though, the world of Bedford Falls seems to exist completely outside of the need and recognition of the incarnation of Christ. If God became flesh and set out to die for the sins of the world of Bedford Falls, then he was wasting his time. There is no problem in this imaginary universe that cannot be overcome be a little good intention and self-awareness. The character of George Bailey is not fundamentally in need of the salvation offered in the scriptures. His life does not reflect the sinful condition that the book of Romans claims to exist in all of mankind.
A film that makes an interesting contrast with this is Francis Ford Coppola's The Godfather. Both of these films feature main characters walking past the marquees of art-deco movie theaters. The film playing inside during each is the Bells of St. Mary's. They are therefore set during the same time period. Despite this, they present sharply different portrayals of the world. The main character in The Godfather, Michael Corleone, has recently returned from World War II. It becomes clear that he is determined to remain apart from the organized crime of his family. By filming him as a soft-spoken, clean-cut war hero, it is clear that Michael is the traditional good guy of the film world. He is the George Bailey of the Corleone family. Unlike George Bailey however, Michael cannot find enough inside of him to defy the evil in the world. If anything, looking deep inside himself reveals that he, like everyone else, has evil woven into his nature. The film ends with a marvelous shot of Michael who has just ordered the murder of his brother-in-law. He retreats into the shadows and appears very similar to the way we first saw his father in the film's beginning. Rather than finding the tools to defy his family, he has become them.
Although The Godfather does not name Christ as the source of redemption from evil, it goes to great lengths to show that the entire creation, not just individual parts of it, are in need to a redemption that is outside of their own faculties. In order to do so, it deals candidly but honestly with the manifestation of sin in the world. Certainly this film should not be screened by young children. At the same time, it seems significantly more consistent with a Christian view of the world than does It's A Wonderful Life. It is unfortunate that Christian leadership is so quick to equate clean and moral with a Christian world view. In the case of these two films, it seems like clean and moral can also be significantly dishonest. As Christmas approaches, and we focus on the fact that Jesus came to earth, I can't help but feel as though we have lost touch with the reason that he had to.